The latest film from Luca Guadagnino is an outlaw lovers' road movie with elements of dustbowl odysseys like Bonnie and Clyde and Badlands. Remove the skin from the bones, and the basic plot is recognizable. The 1980s served as the setting for Bones And All Flixtor, but the urgency of those previous films' "poor-eat-poor" themes, as well as the poetic despair of the gorgeous, aimless drifters who steal what they need to exist, are also there. But the fact that Maren and Lee are "eating" is what makes this movie unique. Regular cannibalistic binges are essential to their existence.
Lee and Maren spend a lot of time covered in the congealing blood of their victims, and Guadagnino doesn't shy away from the visceral horror of their awful desires. Additionally, feeding is an animalistic, shameful, and feral act that involves tearing into the flesh of another person with your teeth.
They also come across other "eaters," who pose a real threat. Mark Rylance's lip-smackingly disgusting portrayal of the eerie loner Sully stands out in particular. Maren discovers her actual self during a terrible sleepover, yet there is also laughter in this story, and more importantly, there is a genuine emotional weight.
The movie, in a sense, is a distillation of Guadagnino's earlier themes. I Am Love is referenced in the merging of gastronomic and extramarital appetites, Call Me By Your Name is referenced in the achingly sentimental yearnings of first love, and Suspiria is referenced in the gory genre impulses. However, Guadagnino has surpassed himself in the graceful balancing of these seemingly disparate elements.
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